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All content by Drew Coffey
COLUMN: “Everything Everywhere All at Once” is visually innovative
May 3, 2022
COLUMN: “The Northman” is a brutal, stunning film
April 26, 2022
COLUMN: “Father Stu” is a heartfelt biopic
April 19, 2022
COLUMN: “Ambulance” is an exhilarating film
April 12, 2022
COLUMN: “Morbius” lacks identity or focus
April 5, 2022
COLUMN: “The Adam Project” is a surprisingly emotional film
March 29, 2022
COLUMN: “Deep Water” is a dull and uninspired thriller
March 21, 2022
COLUMN: “The Batman” is a gritty and stylish superhero thriller
March 8, 2022
COLUMN: “Texas Chainsaw Massacre” (2022) is a sliced and diced mess of a film
March 1, 2022
COLUMN: “The Last Duel” is original film that mirrors current issues
February 22, 2022
COLUMN: John Carpenter’s “The Fog” is a dated yet charming look at older era of horror
February 15, 2022
COLUMN: “War of the Worlds”: Spielberg’s Remake for a New Generation of Sci-Fi
February 8, 2022
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